NYTimes previews THE CATSTROPHIST

A Playwright’s New Subject: Her Husband, the Pandemic Expert

Prolific and widely-produced, Lauren Gunderson didn’t have to look far to create “The Catastrophist,” a play about risk that’s both timely and personal.

SAN FRANCISCO — Confined by the pandemic to her three-story Victorian home, Lauren Gunderson did not have to go far to find inspiration for her latest play. He was one room away, in the home office next to hers on the top floor.

Over Rombauer chardonnay (for her) and a vodka tonic (for him) she set her phone down, opened the voice recording app and interviewed Nathan Wolfe, her husband of eight years. The transcripts of those conversations are the basis of “The Catastrophist,” her new solo play that was filmed on a stage near San Francisco in December and will premiere as “cinematic theater” later this month.

With the exception of Shakespeare, Gunderson has been the most produced playwright in the United States in recent years, according to a tally by American Theater magazine.Wolfe has his own claims to stardom, albeit of the more academic variety. He is an expert on plagues who warned presciently about the risks of a big pandemic years before the word became such an everyday, and despised, piece of vocabulary. (“This is Nathan Wolfe,” read the cover headline on the summer issue of Wired magazine. “We should have listened to him.”)

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